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Exotica

Rain

Michael O'Mahony
(08/11/04)


Feels good to be drunk but not out of control. Just hitting that perfect place, inhibitions floating away so that you say the things you mean without feeling stupid and awkward. Drunk enough that you struggle to get the key in the lock while you laugh and look at her and feel that electric anticipation in your gut and don't fuck it up by saying or doing the wrong thing. You're tuned to her station. Everything is right. Just another night in nowhere, another couple falling like the rain, shining like the artificial night. It means nothing and everything. It's all you have and all you've lost and all that you can never leave behind.

Inside and kicking the door shut. Your mouth finds hers and she tastes like whatever the fuck she was drinking, sweet and female and good. Her body feels warm and full and wonderful against you. You crack some joke and she laughs against your mouth and her eyes are beautiful in extreme close-up and your hand is sliding up under her top and skating over the warm softness of her skin, exploring the geography of the body you've been trying not to think about all night. You're over the lacy cup of her bra and then inside and her expression is suddenly deadly serious. You're cupping her breast, your fingers are skimming over the dimpled flesh of her nipple and then you're pinching its swollen tip and her mouth opens just a little, a breath that's like an echo of her laughter in your mouth so that you can almost taste her desire as she reaches back and switches the lights off.

Like a cue for her to let go, this darkness. Her lips are hard against yours, her tongue pushing into your mouth. Her arms go around you and you're doing a drunken waltz towards the bed, not knowing where you're going to end up until the backs of your knees touch the mattress and you sit and see her taking off her top in silhouette while you undo her jeans and feel relieved that she can't see how your hands are shaking.

You kiss her belly and she laughs like maybe it tickles her, but her hands are going through your hair and her fingers are sometimes coming together and grabbing, like she's urging you on, jeans around her thighs and going lower, this clumsy ritual of undressing making you laugh and lose your breath all at the same time, the heat you feel when you slip your hand between her thighs making you realise how hard you are, how much you want her.

Then her jeans and panties are around her ankles and she's trying to kick them off and she still has her shoes on and it's ridiculous but you know she's pretty much naked and you can't see it because your eyes haven't adjusted to the light, and when she overbalances and falls toward you, you welcome it because it's just another excuse to touch her, to have her wrapped around you, her breath and her mouth pressed close once more, her naked skin beneath your hands even as you feel her unzipping your jeans and touching you, making a fist around your cock and stroking you clumsily but with feeling, lust over technique, making you want to yell, to tell the world that this woman wants you this much.

Wrestling with her body and the bedclothes until she's on her back and you're over her and the lights outside are touching her skin, tracing her outlines and slowly filling in the fine details as you quickly undress and go to her and she pulls you in, arms and legs embracing, face-to-face and you can see her features but not her expression.

Sounds of cars going by and her breathing and your heartbeat and someone shouting in the street outside. And the rain, constant and powerful, hammering on the roof and the window, the rhythm of its falling so quick as to be nothing more than a hiss on the asphalt down there, a sound that reminds you of an album finishing when you have the stereo cranked up and the last notes fade away and the volume remains like a memory of a story you've just been told.

Hold that moment. Let it stick in the mind. A clear and perfect image to remember her by. That final pause before you slide slowly into her most intimate embrace, before the two of you are joined and she's murmuring something you don't quite understand and it's okay because it's the tone that matters and not the words, the urgency that makes you kiss her again, that makes you move against her for that delicious friction and the way it makes her moan and makes your thoughts spiral away into incoherency.

Don't let go. Control. Don't disappoint her now. Pull out. Kiss her some more, slowly and thoroughly, taste her mouth and then her jaw and her neck, inhaling her clean, fresh sweat and her shampoo and her perfume. Helping her out of her bra so that she's naked and exposed beneath you, almost helpless, your tongue dancing over her nipples and her belly button, lips brushing her pubic hair and then kissing her cunt, overwhelmed by her heat, the taste and scent of her, the way she stiffens and says your name and then relaxes as though your caresses were a drug, stealing her strength and her resistance, giving her this rhythm she takes to immediately, her hips moving and her pleasure escaping her in lazy sighs you imagine you can see ballooning into the air like breath on a freezing morning, forming clouds that float and dance in the second-hand neon that struggles through the threadbare curtains.

She pushes you away and she's gasping, closer than you realized, reaching out for you to push you onto your back, to swap these roles and take control. You can see her now and she's so special in this half-light, determined and excited and barely in control, naked without shame. She straddles you and takes you into her again, this time with her weight pressing your cock home as her hands grab your hands and pull them to her breasts. She moves her hips, slowly at first but then gaining momentum, her eyes locked on yours so that you can't look away even though you're peripherally aware of her hand going down over her belly to her sex, to caress herself as she rides you, even though you want to watch.

You're a little drunk on both alcohol and pleasure. It gets hard to focus, to pin down her beauty. All is motion. All is the way that light plays on her body. All is gasps and moans and sighs and the way your pleasure spreads over you like something liquid and the heat and desperation builds in your stomach and your cock as you listen to the sound of her cries reaching a crescendo and suddenly you're there and you couldn't stop it if you wanted to, this loss of control as your entire body seems to lose all feeling, numb save for your cock, which pulses with a life of its own as you feel yourself emptied inside her, every beat of this rhythmic release casting its net wider, warmth rippling outward, reaching the skin of your chest and your face, making you dizzy and weak, making you belong to her.

She's tensed astride you, trembling muscles and trembling breath, her hand moving rapidly just above the place where the two of you are joined and then stopping as she closes her eyes and opens her mouth and reaches her orgasm and the world crashes back in as she falls onto you, as you hold her and kiss her and know that you'll say nothing, that you'll hope she hears and understands the rain that means more than you could ever say.


©2004 by Michael O'Mahony

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Michael O'Mahony is an unpublished and slightly frustrated writer, doing a wide variety of strange and menial jobs to support himself. He's completed one novel, and he's currently writing a second. He has also given birth to various screenplays and short stories. He occasionally stumbles drunkenly into poetry. See more of his work at Notes From a Darkened Room.


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