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Exotica

The Suitors

by Robert Fawn
(12/12/01)

It is the most powerful fantasy of my life as a transvestite. It is bizarre, as transvestite fantasies often are. It is difficult to describe, relate, or render understandable, particularly since it somewhat confuses even me. Few transvestites understand the nature of their obsession. The fantasy is called "The Suitors."

First, let me ruminate a little about the nature of the beast. Of ways of viewing reality, a transvestite's is among the most difficult to describe -- because it is all a fantasy world, a shifting screen of delusive surfaces. Transvestitism is a long self-absorption. Still, cross-dressing can answer needs -- deep, personal, and, some say, spiritual needs. The fetish object upon which transvestitism focuses -- nonetheless -- is the mirror. It is out of mirrors (the wide bedroom, the oval bathroom, the coquettish hand mirror) transvestitism spawns. Therein we first conceive a preference for the image of the opposite sex. A man sees himself, prefers himself instead as a woman. A woman sees herself, and vice versa.

Transvestites see a gleam in the mirror. That gleam is a far cry from the ordinary experience of admiring your own image. We see ourselves other than as we are. Nor is it true that we despise our natural sex, the sex we are born with. But the fantasy image is more perfect. We -- this is the best way I know how to describe the fantasy life that swallows us up -- experience a life long love affair with an Alice-in-Wonderland dream of passing through the looking glass. This may be a problem. I have never regarded my transvestitism as a neurosis, but sometimes it is simply too much. (I began, like most transvestites, as a child -- the cliché of a twelve year old boy playing dress-up in front of his mother's mirror. Yes, it was too intense.)

Caligula-like, that is how intense the pleasures are. They occur within an inverted reality. Transvestites do the opposite of what most people do. Rather than seeking pleasure in pursuit of a male or female sexual partner -- a lover -- the place where ordinary pleasures lay -- we look inside. Gazing down, as though through a funnel, to our mirror reflections. We pursue fulfillment in fantasy identities.

Hand Mirror Not in the world, but in the mirror. Fantasy personalities flood through. The flood, once begun, shudders through you as unstoppably as an orgasm. Regardless of sexuality, there are thousands of buried identities in each of us. Transvestitism is a wild, carnivalesque trip that unleashes those hidden personas that wait docilely, under the surfaces, as slippery as water spirits. I will never see them all. Yesterday is never tomorrow. I am never the same woman twice. I dress up as Woman. This is truer than saying I dress up as a woman. While I have distinct fantasies involving special women -- oftentimes movie stars, Garbo, Janet Leigh, Debra Winger -- I become so many they blur together. Becoming Woman is becoming a legion.

One last point of clarification, before we continue to "The Suitors." Do not confuse transvestites and exhibitionists. The exhibitionists are the most famous of our kind, but, for each of them, there is a man like me. The man who dresses up in the privacy of a suburban home. The exhibitionists are merely a species. Transvestitism itself in its purest form -- is a solo performance. For its thrills are those of the mirror, of things one can do with oneself and to oneself. Silk against one's flesh; the opposite sex's underwear; fake, flowing blonde hair. These are self-sensual accessories. It is in the privacy of onanism that transvestitism becomes as obsessive as Hollywood vampirism. Naturally for the public exhibitionists, the drag queens and such, parading about adds a thrill. Many transvestites are simply talented entertainers. Transvestitism, at its root, is still onanism. Exhibitionist transvestites -- and I admire them -- thrive off the illicitness of masturbating in public.

In the last few years the fantasy that has given me the most pleasure is the moral fable of The Virgin-slut and The Suitors. The fantasy dates back from my childhood. I forgot it for many years. But memories from childhood often come back as you grow older. This is one that I am pleased returned.

I usually play the game in the middle of the afternoon. I dim the lights. Sometimes I put on women's clothes. But -- does this surprise you? -- sometimes not. Transvestitism is a way of thinking, of fantasizing. The feminine accessories, so ostensibly important, only assist a process that occurs in the mind. I enter that deepest, darkest of places, the most palatial of estates: the sexual soul. I can do everything through fantasy, pictures in a shuffled deck of cards. In make-believe, I can wear anything from a nun's habit to a frail pink nightie with a ribbon under the breasts. This was the first women's garment I ever wore. I experienced my first orgasm wearing it. It belonged to my mother. To touch, feel, smell that nightie again is a delicious wish: an impossible, unfulfillable fantasy, just like this fantasy in which men circle around me like horses on a Ferris wheel.

The men are The Suitors.

In my fantasies, the women I become wear different faces. But all, all are passive. Easy, pliable. She can never say no. God must be a child-woman like her. This is how God's love shines on earth -- indiscriminately. The joy of my perfect woman is how through her I can abdicate the world. Every man can drink of me. She offers me a way out. She is free of selectivity, and its ne'er-do-well companion, responsibility. I am freed through her of animosities, envy, guilt, or needs such as to avenge myself, to compete, to get ahead. Thus unburdened, every stranger is a potential friend. I know of no one whom I would wish ungentleness to. I am the world's pillow. This is a fantasy of purity, grace, of drinking long. Come love me...relax...The world is harsh...but ease is as sexual as desire. I heal the turmoil, wrap my legs around the world's anger and meanness. The men who deal with the daily pressure of living thrust up into my belly and find the perfect peace they've sought all their lives.

I part my legs for the anonymous ones. The men -- the men -- The Suitors.

They come. They feast upon my innocence. Strange, dark men. They enter into my palace of illusions. These evil men can try whatever they like -- I am an innocent but I will understand, forgive. They can't ruin me. I am holier than they: a complete woman.

The room darkens. Shadows splay, produced by an unknown light source. The suddenness of the change creates a carnival house atmosphere. Cruel men who crawled from Pandora's box don't need to chase me. I lay, like Sleeping Beauty -- eyes shut, body tingling. They come. I lounge in a thin dress, naked underneath.

I lower my eyes. They should expect that by now. A woman should always...it is like shading a lamp. I have lovers with faces I have never seen.

My first suitor is a well-known movie star. A motorcycle type, he usually appears in movies wearing leather. He strips the gear for me. He kneels in front of me, flexes. He swings his arms up, back, pumps them like fans swinging above my head. He jumps. Agilely kicks off his briefs. I smell cologne when he leans over me. His face is as beautiful as it is on the silver screen, but while he gazes down at me, looking like a child so eager to please me, something happens. Spit dribbles from the side of his mouth. "Boo," he says. Then he attacks.

The next suitor is explicitly cruel from the beginning. He carries a whip, and calls himself Zeus, the God of Thunder. He doesn't want to touch me. He circles me, and cynically snarls "Look at the boy dressed like a girl, look at the man who thinks he's a woman!" He wants to break the illusion, but I hold on. I feel his nearness like an overcast sky, and as in a dream, suddenly the wind billows and transports me to a weird realm where the shadows of trees sway in a fairy tale forest. This one's presence fills the sky. Lightning flashes; rain falls. His whip cracks.

The third suitor comes to tell me about myself. He is a priest in black robes. He kneels, licks my ear, and talks about love and cruelty. If I would be a woman, I must eroticize the universe. I should abandon the past and renounce my individuality for a world where sex is completely uninhibited. I must embody heaven, hell, and everything in between. He speaks of us creating a perfect world together. That is a world where any man can relax with me, possess me, strip me, violently if he so wants. It should be a joy to forgive cruelty. I should likewise forgive him for what he is about to do. Then he does it.

The last suitor comes to remind me of the woman I truly am, which is no more nor less than an image in a mirror. He is the most unsatisfactory of the four. His hair isn't combed. I suppose you could call him a man, in the generous sense of the word. He looks poor. This one's wrong for me in every important way. His personality isn't particularly flamboyant, nor his face particularly distinctive, nor his eyes satisfactory -- usually I like eyes lit with a tiger's fire. He's pudgy. His clothes don't fit, but when I tell him to go away, he smiles. A little too knowingly.

Somehow I recognize him -- from the mirror. I tell him this is my fantasy, though he keeps trying to win me with qualities like charm, wit and intelligence, though in my fantasies only women are witty, intelligent and so forth. He is really disturbing my fantasy. I want to be the woman. I want to epitomize charm, not be charmed. He doesn't get it.

He sits beside me, talking, joking. He somehow doesn't seem to care that I think he's so average. Then his hands move swiftly to the small of my back and up my legs. I still don't feel swept away -- not hardly -- when this one strokes my panties. He pets my softness through the crotch fabric. I feel nothing. Why do I relax into his arms? Out of politeness. He begins to parlay his feeble attributes to their best advantage though. When he palms my sex flower, what is this feeling, this arousal -- it is the rush an old mistress feels when her old man wants affection. He kneels, tickles inside my thighs. Buries his head there without warning me. I clutch his hair. He knew I would like that. He knows everything I like. I am sliding into the furthest regions of fantasy again, all flowers, fawns and femininity, and when he grabs me and puts his head up my legs I see us as in a ceiling mirror, and he flows over my body and kisses me. I brush my hair from my eyes for him, show him every grace, with exaggerated consent. I am as aware of the positions I assume as a model is when she is being photographed. Even as he unzips himself, I know how my foot arches, how my mouth parts, how he sees me, how the folds of my dress cover my sex flower -- until my least attractive lover enters me with a shudder and groans, "Is it good?" And I say his name over and over. "Do you love me?"

He is, of course, me. The me in the mirror. Grabbing his ass, I say, "Yes". "Do you want to see me again?" And I say, "Yes yes," and my legs fold over his hips like a night flower, a long, long... yes.

©2001 by Robert Fawn

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Robert Fawn has published poetry and fiction in numerous literary magazines and won awards for plays that have been performed all over the country. He also participates in the Surrealist Movement of the U.S.


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