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Exotica

I See What You're Saying

by Kenneth Brady
(08/28/02)

I love the way her eyes taste, all creamy white satin, deep blue sea salt, a hint of rose petals. I feel her voice pattering up and down the skin of my shoulder blades.

I reach out to grab the words floating by my head, and my fingertips brush each syllable lightly.

"I need to know what you are experiencing," she says. The words tickle; hummingbird wings flutter up my arm.

I know I should focus on the meaning. I try. What does she mean? The experiment. The process is working. It has to be working. Nothing else could explain what I feel.

"You did it, didn't you?" I say. I wonder if my words skitter across her skin as hers do mine. Perhaps my question pauses to fondle one of her breasts.

Her smile is so sweet, so incredibly rich and decadent. Chocolate never tasted so good.

"But, how?" I ask. I have so many questions. I want to know which calculation was the critical link. What had we missed all along? Which neural pathways had we overlooked?

"I'd rather not tell you," she says. "I'd rather show you." Or, that's what I think she says, because my skin turns to gooseflesh, and my erection is instantaneous, urgent.

She sees this. Or she feels it, or smells it, or tastes it. I realize that I don't even know if she has the same wires crossed inside as I do. Perhaps everything is normal for her. But....

I wave my hands around the lab and see the sharp stabs of electrical current flowing through the air. A blast of air-conditioned cold dances along the tiled floor. I see the neural pathways flickering in my brain, and hers.

She moves toward me with a calculated mesquite strut, and I taste every curve, every inch of flesh.

As she drops to her knees and beckons me onward, I unzip my fly, letting my erection out into the air to feel the sound of her breathing.

The perfume of her skin reaches me then, and I've never heard any sound so vibrant and clear and pulsing with amplified excitement.

"We'll be rich," I feel myself say. I envision the marketing department of Calvin Klein rushing to market a new scent called Synapse. I imagine the boys at Trojan making a condom that's ribbed for her every pleasure, and just happens to look like a white hot orgasm on the shelf. I foresee a new age of interactivity in Hollywood.

Her tongue moves slowly toward my penis, reaching for the small glistening drop of semen on the tip, and her breath blows dazzling rainbows before my eyes.

"I see what you're saying," she says. "But don't talk. Your words are like fire."

And she moves.

During the exact moment of contact, I smell my own salty semen in her mouth and I convulse, every sense alive and awake.

And I know she's feeling the same things.

©2002 by Kenneth Brady

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Kenneth Brady's short stories have appeared in magazines and anthologies around the world. He also writes for stage and screen, and has produced an independent feature film that has received several awards. He lives in Eugene, Oregon, and has an almost unnatural fascination with rubber chickens. See more of his work at his Web site.


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