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Sex in Russia

Part II: Queer in Russia

by William Dean
(2/14/01)

Sex in Russia: Part II

Sex was officially repressed by every government agency under the old political rules of Russia. Homosexual and lesbian sex were either criminal actions, or cause for psychiatric imprisonment.

"From Stalin through Yeltsin, men who had sex with other men in Russia could be charged under Statute 121 of the Soviet (later Russian) Penal Code. These men faced up to seven years of hard labor for homosexual sex. They occupied the lowest rungs of the prison hierarchy because of their 'crime.' Other prisoners and guards consistently blackmailed, raped, abused, and even murdered men who were convicted of sodomy, with full impunity. This law against sodomy was removed in 1993, but until then several hundred, or possibly several thousand, men were imprisoned each year for loving other men. Countless more were blackmailed or just plain intimidated by the state into hiding their sexuality.

"For women who loved other women, the Soviet state had other plans. They committed them to psychiatric care because 'such women are schizophrenics.' Lesboerotic women were forced to undergo frequent shock treatment, drug therapy, and even sex change operations in order to 'cure' them. Today, although lesboerotic women are no longer forced into psychiatric care, they are often officially encouraged to seek it. Any women who are not eighteen years of age can, and are, committed by family members for the act of loving other women."

So says Professor Laurie Essig, in speaking about the research and background for her recent book Queer in Russia, published by Duke University Press in 1999.

"If you believed that the Russian people were generally repressive of homoerotic desires, that's untrue," she continues. "In many ways, Russian society has always been more 'European' in its attitudes about sex. There is the shrug of the shoulders and a 'who cares' attitude about sexual 'deviance.' On the other hand, Russia has a very different history than Europe and perhaps most different of all is that the identity politics that so wracked the conscience of Western Europe and the United States in the 1960s and '70s, completely passed Russia by. You may have noticed that I am careful not to use terms like 'gay' or 'lesbian' when discussing same-sex eroticism in Russia. That's because most Russians don't see what they do in bed as an important part of their public identity. The idea that someone's sexual practices should shape their work or social life or geographic location is not one that has strong roots. It's an idea that has been introduced by contact with the West; a notion of sexual identity in Russia is a foreign one."

"With the coming of more sexual liberality, activist groups have quickly formed, such as the Triangle Organization of Moscow. But for the most part, these identity-based organizations of 'gays and lesbians' have failed, partly because they're seen as just another manifestation of Western imperialism. Also, it's because they just don't make sense in a culture where few who experience attraction to the same sex define that attraction as 'gay' or 'lesbian'. Instead, Russians tend to use very general terms such as 'blue' or 'pink' or 'people of the moonlight' to describe same-sex attraction.

"The terms are ambiguous enough that they do not stop them from also identifying as straight. Especially if they don't break any of the rules of gender, and if they are conventionally masculine men or feminine women and play the conventionally gendered sexual roles of insertive men or receptive women."

Curiously, Russian sex experts say that most of the activity that has occurred in the past ten years has revolved around expressing sexual desire, rather than identity. There are a lot of discos and dating services, or theatrical representations, and lots of Web pages offering future Russian wives or straight pornography, but few gay and lesbian organizations.

"The up-side to all of this avoidance of identity politics," says Professor Essig, "is that everyone can participate in or consume images of same sex desire without being permanently marked as 'queer.' So in Russian popular culture there are lots of images of same sex desire. The down side of this is that the lack of identity doesn't provide any way of fighting sexual oppression and prejudice. Laws have been passed which can be, and are, used to harass strictly queer discos and organizations. Citizens and even police officers are not above blackmailing or other hate crimes. Even more dangerous are bands of young men known as remontniki or 'fixers', who cruise the streets looking for men to bash for being pidri ('faggots')."

"This is despite the fact that Russian culture is filled with homoeroticism. One of the most obvious examples are the plays directed by Roman Viktiuk, almost all of which have a homosexual, but not necessarily 'gay', relationship at their center. These plays are presented frequently in the country's major theaters and television. Another example of homoerotic popular culture is music, where figures such as Boris Moiseyev are openly transgressing gender and sexual roles. In terms of literature, there have been a few books in recent years with homoerotic themes. One of the main 'characters' of my book, a dissident and activist by the name of Zhenya Debrianskaia, has published two novels recently. It's interesting to think about what gets translated into English. All those novels by Soviet dissidents during the Cold War that went on and on about their unfair imprisonment, and yet somehow none of them noticed that they were imprisoned alongside sexual dissidents who were much worse off than they."

Essig emphasizes the strong cultural differences between the West and Russia. "Russians have a long history of state intervention in daily life, so few in Russia want to suddenly announce to the world anything about their private life, let alone sexual acts that could cost them their jobs, their family, and even their freedom. Russia is not in danger of becoming a talk show culture about their sex practices anytime soon."

Though hers was scholarly research, Essig also discovered some new personal awareness as she probed deeper. "The most surprising thing for me was that my own sexuality, seemingly so 'real', was in fact dependent on my own cultural context. In Russia and in Russian I thought about the meaning of my desires differently than I do in the US and in English. I was less rigid in some ways around sex, but perhaps more rigid around gender and the stability of gender roles as a way to create and explore desire.

"The most shocking thing to me is that nationalism, extremely popular in Russian society, can be so much a part of queer Russia. Certain queer leaders are very nationalist and certain nationalist leaders are openly queer. The most encouraging thing to me is that there is a whole generation of Americans and Russians who have grown up since I did the research for this book, and they grew up on the Internet and knowing each other. I think in some ways they will be less inclined to step on each other's toes.

"I know I stepped on far too many when I first began the research for Queer in Russia, and many other Westerners were equally insensitive to cultural differences. Instead of taking the familiar and casual attitude that all roads lead to the same end -- some rigid sexual identity, a coming out of the closet, a creation of a gay space like San Francisco, I hope that this new generation, which has been able to communicate since they were first experiencing any sort of desire, will think about how different cultures and histories and even languages lead to different ways of thinking about something as natural and unchanging as sexual desire. What I really desire is that they and we can have pleasure, free of any state and societal intervention."

©2001 by William Dean

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William Dean is a longtime media professional and producer. He writes erotica under the pen name Count of Shadows, and has published extensively online. His work is included in two erotica anthologies, Tears on Black Roses, and Desires. He also writes the monthly column Into the Erotik for the Erotica Readers Association.


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